Musical Grammar

Building basic musical skills & concepts to optimize
private lessons and practice times

Building a foundation for fundamental musical skills 

Teachers share a common obstacle in teaching their private students: routinely running into basic issues during lessons that should have been resolved before the students ever take an initial lesson on an instrument.

To allow teachers to maximize the growth of their students, this program is designed to address issues such as instrumental issues, issues of musical illiteracy, or the lack of understanding of musical history.

Virtual Ballet Program

What will students learn?

Theory

Basic music theory covering topics such as:

  • Melody vs Harmony
  • Rhythm vs Tempo
  • Music Analysis & Form Analysis
  • Musical Notation & Terminology

Ear Training

Basic techniques of solfege and training students to understand the specifics of what they’re hearing.

  • Identifying aspects of work within a recording (e.g. Was that an oboe or a clarinet the composer used
    there? Were the celli playing together with the first violins in this recording that seems less polished?)
  • Identifying intervals by hearing them
  • Solfege, dictation & sight-singing

Music History

  • Learning the history of classical music and composers chronologically relative to other composers
  • Learning the history of legendary masters of their own instrument
  • Helping students understand what makes
    a given piece great or trite, or what makes a given performance a benchmark or a misfire.

 

Sight Reading

  • From being able to correctly identify visual cues on the score to executing the appropriate action on their instrument
  • Building skills to be able to sight-read pieces that are simple relative to the students’ current instrumental repertoire

How To Practice

Less about how to practice a specific passage within a specific piece and more about learning to distinguish between

  • practicing
  • performing
  • practicing the ACT of performing
  • mindless repetition, frustrating and protracted trial-and-error, and other common activities mistakenly labeled “practicing” by countless students.

 


Who will teach me?


ANASTASIA VASILIEVA

Head of Character Dance at Vaganova Ballet Academy

RICCARDO RICCARDI

World Renowned Master Teacher

KENICHI SOKI

International Ballet Competition Jury Member

VICTORIA YANCHUCK

ARTISTIC FACULTY

ADRIENNE CANTERNA

Founder of SweetBird Productions & Kirov Academy Alumni 1998

Runqiao Du

Artistic Director

MARIANNA ROZANOVA

Artistic Faculty

Valeriia Ivlieva

Artistic Faculty

See Inside the Studio

Ready to join us?


Program Tuition

$6,500 per semester

14 hours of ballet training per week

2 conference sessions with Mr. Du for individual corrections, feedback, and career advice

Full semester commitment starting on September 7, 2020 until January 22, 2020.

$12,000 per academic year

$1,000 saved

14 hours of ballet training per week

2 conference sessions with Mr. Du for individual corrections, feedback, and career advice

Full academic year commitment starting on September 7, 2020 and ends in mid-May.

© 2021. Kirov Academy of Washington DC. All Rights Reserved.